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2011 Audio tapes About the Founding of America Audio One


2011 Audio tapes About the Founding of America  -Audio Two


2011 Audio tapes About the control of music including Wolfgang Mozart- Audio Three
Wolfgang Mozart











A prolific artist, Austrian composer 
Wolfgang Mozart created a string of operas, concertos, symphonies and sonatas that profoundly shaped classical music. ...Wolfgang Amadeus Mozart - Mini Biography (TV-14; 3:05) Wolfgang Amadeus Mozart learned the piano at the age of three....

http://www.biography.com/people/wolfgang-mozart-9417115

Wolfgang Amadeus Mozart

Synopsis

Born on January 27, 1756, in Salzburg, Austria, Wolfgang Amadeus Mozart was a musician capable of playing multiple instruments who started playing in public at the age of 6. Over the years, Mozart aligned himself with a variety of European venues and patrons, composing hundreds of works that included sonatas, symphonies, masses, concertos and operas, marked by vivid emotion and sophisticated textures.

Early Life

Central Europe in the mid-18th century was going through a period of transition. The remnants of the Holy Roman Empire had divided into small semi-self-governing principalities. The result was competing rivalries between these municipalities for identity and recognition. Political leadership of small city-states like Salzburg, Vienna, and Prague was in the hands of the aristocracy and their wealth would commission artists and musicians to amuse, inspire, and entertain. The music of the Renaissance and Baroque periods was transitioning toward more full-bodied compositions with complex instrumentation. The small city-state of Salzburg would be the birthplace of one of the most talented and prodigious musical composers of all time.

Wolfgang Amadeus Mozart’s was the sole-surviving son of Leopold and Maria Pertl Mozart. Leopold was a successful composer, violinist, and assistant concert master at the Salzburg court. Wolfgang’s mother, Anna Maria Pertl, was born to a middle class family of local community leaders. His only sister was Maria Anna (nicknamed “Nannerl”). With their father’s encouragement and guidance, they both were introduced to music at an early age. Leopold started Nannerl on keyboard when she was seven, as three-year old Wolfgang looked on. Mimicking her playing, Wolfgang quickly began to show a strong understanding of chords, tonality, and tempo. Soon, he too was being tutored by his father.

Leopold was a devoted and task-oriented teacher to both his children. He made the lessons fun, but also insisted on a strong work ethic and perfection. Fortunately, both children excelled well in these areas. Recognizing their special talents, Leopold devoted much of his time to their education in music as well as other subjects. Wolfgang soon showed signs of excelling beyond his father’s teachings with an early composition at age five and demonstrating outstanding ability on the clarinet and the violin.

In 1762, Wolfgang’s father took Nannerl, now age eleven, and Wolfgang, age six to the court of Bavaria in Munich in what was to become the first of several European "tours." The siblings traveled to the courts of Paris, London, The Hague, and Zurich performing as child prodigies. Wolfgang met a number of accomplished musicians and became familiar with their works. Particularity important was his meeting with Johann Christian Bach (Johann Sebastian Bach's youngest son) in London who had a strong influence on Wolfgang. The trips were long and often arduous, traveling in primitive conditions and waiting for invitations and reimbursements from the nobility. Frequently, Wolfgang and other members of his family fell seriously ill and had to limit their performance schedule.

Budding Young Composer

In December, 1769, Wolfgang, then age 13, and his father departed from Salzburg for Italy, leaving his mother and sister at home. It seems that by this time Nannerl’s professional music career was over. She was nearing marriageable age and according to the custom of the time, she was no longer permitted to show her artistic talent in public. The Italian outing was longer than the others (1769-1771) as Leopold wanted to display his son’s abilities as a performer and composer to as many new audiences as possible. While in Rome, Wolfgang heard Gregorio Allegri’s Miserere performed once in the Sistine Chapel. He wrote out the entire score from memory, returning only to correct a few minor errors. During this time Wolfgang also wrote a new opera, Mitridate, re di Ponto for the court of Milan. Other commissions followed and in subsequent trips to Italy, Wolfgang wrote two other operas, Ascanio in Alba(1771) and Lucio Silla (1772).

Wolfgang Amadeus Mozart and his father returned from their last stay in Italy in March, 1773. His father’s benefactor, Archbishop von Schrattenbach had died and was succeeded by Hieronymus von Colleredo. Upon their return, the new archbishop appointed young Mozart as assistant concertmaster with a small salary. During this time, young Mozart had the opportunity to work in several different musical genres composing symphonies, string quartets, sonatas and serenades and a few operas. He developed a passion for violin concertos producing what came to be the only five he wrote. In 1776, he turned his efforts toward piano concertos, culminating in the Piano Concerto Number 9 in E flat major in early 1777. Wolfgang had just turned 21.

Despite his success with the compositions, Wolfgang Amadeus Mozart was growing discontent with his position as assistant concert master and the confining environment of Salzburg. He was ambitious and believed he could do more somewhere else. Archbishop von Colloredo was becoming inpatient with the young genius’s complaining and immature attitude. In August 1777, Mozart set out on a trip to find more prosperous employment. The archbishop wouldn’t give Leopold permission to travel, so Anna Maria accompanied Wolfgang on his quest to the cities of Mannheim, Paris and Munich. There were several employment positions that initially proved promising, but all eventually fell through. He began to run out of funds and had to pawn several valuable personal items to pay traveling and living expenses. The lowest point of the trip was when his mother fell ill and died on July 3, 1778. After hearing the news of his wife’s death, Leopold negotiated a better post for his son as court organist in Salzburg and Wolfgang returned soon after.

Making it in Vienna

Back in Salzburg in 1779, Wolfgang Amadeus Mozart produced a series of church works, including the Coronation Mass. He also composed another opera for Munich, Ideomeneo in 1781. In March of that year, Mozart was summoned to Vienna by Archbishop von Colloredo, who was attending the accession of Joseph II to the Austrian throne. The Archbishop’s cool reception toward Mozart offended him. He was treated as a mere servant, quartered with the help, and forbidden from performing before the Emperor for a fee equal to half his yearly salary in Salzburg. A quarrel ensued and Mozart offered to resign his post. The Archbishop refused at first, but then relented with an abrupt dismissal and physical removal from the Archbishop’s presence. Mozart decided to settle in Vienna as a freelance performer and composer and for a time lived with friends at the home of Fridolin Weber.

Wolfgang Amadeus Mozart quickly found work in Vienna, taking on pupils, writing music for publication, and playing in several concerts. He also began writing an opera Die Entführung aus dem Serail (The Abduction from the Seraglio). In the summer of 1781, it was rumored that Mozart was contemplating marriage to Fridolin Weber’s daughter, Constanze. Knowing his father would disapprove of the marriage and the interruption in his career, young Mozart quickly wrote his father denying any idea of marriage. But by December, he was asking for his father’s blessings. While it’s known that Leopold disapproved, what is not known is the discussion between father and son as Leopold’s letters were said to be destroyed by Constanze. However, later correspondence from Wolfgang indicated that he and his father disagreed considerably on this matter. He was in love with Constanze and the marriage was being strongly encouraged by her mother, so in some sense, he felt committed. The couple was finally married on August 4, 1782. In the meantime, Leopold did finally consent to the marriage. Constanze and Wolfgang had six children, though only two survived infancy, Karl Thomas and Franz Xaver.

As 1782 turned to 1783, Wolfgang Amadeus Mozart became enthralled with the work of Johannes Sebastian Bach and George Frederic Handel and this, in turn, resulted in several compositions in the Baroque style and influenced much of his later compositions, such as passages in Die Zauberflote (The Magic Flute) and the finale of Symphony Number 41. During this time, Mozart met Joseph Haydn and the two composers became admiring friends. When Haydn visited Vienna, they sometimes performed impromptu concerts with string quartets. Between 1782 and 1785 Mozart wrote six quartets dedicated to Haydn.

European Fame

The opera Die Entführung enjoyed immediate and continuing success and bolstered Wolfgang Amadeus Mozart’s name and talent throughout Europe. With the substantial returns from concerts and publishing, he and Constanze enjoyed a lavish lifestyle. They lived in one of the more exclusive apartment buildings of Vienna, sent their son, Karl Thomas, to an expensive boarding school, kept servants, and maintained a busy social life. In 1783, Mozart and Constanze traveled Salzburg, to visit his father and sister. The visit was somewhat cool, as Leopold was still a reluctant father-in-law and Nannerl was a dutiful daughter. But the stay promoted Mozart to begin writing a mass in C Minor, of which only the first two sections, "Kyrie" and "Gloria," were completed. In 1784, Mozart became a Freemason, a fraternal order focused on charitable work, moral uprightness, and the development of fraternal friendship. Mozart was well regarded in the Freemason community, attending meetings and being involved in various functions. Freemasonry also became a strong influence in Mozart’s music.

From 1782 to 1785, Wolfgang Amadeus Mozart divided his time between self-produced concerts as soloist, presenting three to four new piano concertos in each season. Theater space for rent in Vienna was sometimes hard to come by, so Mozart booked himself in unconventional venues such as large rooms in apartment buildings and ballrooms of expensive restaurants. The year 1784, proved the most prolific in Mozart’s performance life. During one five-week period, he appeared in 22 concerts, including five he produced and performed as the soloist. In a typical concert, he would play a selection of existing and improvisational pieces and his various piano concertos. Other times he would conduct performances of his symphonies. The concerts were very well attended as Mozart enjoyed a unique connection with his audiences who were, in the words of Mozart biographer Maynard Solomon, “given the opportunity of witnessing the transformation and perfection of a major musical genre.” During this time, Mozart also began to keep a catalog of his own music, perhaps indicating an awareness of his place in musical history.

By the mid-1780s, Wolfgang and Constanze Mozart’s extravagant lifestyle was beginning to take its toll. Despite his success as a pianist and composer, Mozart was falling into serious financial difficulties. Mozart associated himself with aristocratic Europeans and felt he should live like one. He figured that the best way to attain a more stable and lucrative income would be through court appointment. However, this wouldn’t be easy with the court’s musical preference bent toward Italian composers and the influence of Kapellmeister Antonio Salieri. Mozart’s relationship with Salieri has been the subject of speculation and legend. Letters written between Mozart and his father, Leopold, indicate that the two felt a rivalry for and mistrust of the Italian musicians in general and Salieri in particular. Decades after Mozart’s death, rumors spread that Salieri had poisoned him. This rumor was made famous in 20th century playwright Peter Shaffer’s Amadeus and in the 1984 film of the same name by director Milos Foreman. But in truth there is no basis for this speculation. Though both composers were often in contention for the same job and public attention, there is little evidence that their relationship was anything beyond a typical professional rivalry. Both admired each other’s work and at one point even collaborated on a cantata for voice and piano called Per la recuperate salute di Ophelia.

Toward the end of 1785, Mozart met the librettist Lorenzo Da Ponte, a Venetian composer and poet and together they collaborated on the opera The Marriage of Figaro. It received a successful premier in Vienna in 1786 and was even more warmly received in Prague later that year. This triumph led to a second collaboration with Da Ponte on the opera Don Giovanni which premiered in 1787 to high acclaim in Prague. Noted for their musical complexity, the two operas are among Mozart’s most important works and are mainstays in operatic repertoire today. Both compositions feature the wicked nobleman, though Figaro is presented more in comedy and portrays strong social tension. Perhaps the central achievement of both operas lies in their ensembles with their close link between music and dramatic meaning.

Later Years

In December, 1787, Emperor Joseph II appointed Wolfgang Amadeus Mozart as his "chamber composer," a post that had opened up with the death of Gluck. The gesture was as much an honor bestowed on Mozart as it was incentive to keep the esteemed composer from leaving Vienna for greener pastures. It was a part-time appointment with low pay, but it required Mozart only to compose dances for the annual balls. The modest income was a welcome windfall for Mozart, who was struggling with debt, and provided him the freedom to explore more of his personal musical ambitions.

Toward the end of the 1780s, Wolfgang Amadeus Mozart’s fortunes began to grow worse. He was performing less and his income shrank. Austria was at war and both the affluence of the nation and the ability of the aristocracy to support the arts had declined. By mid-1788, Mozart moved his family from central Vienna to the suburb of Alsergrund, for what would seem to be a way of reducing living costs. But in reality, his family expenses remained high and the new dwelling only provided more room. Mozart began to borrow money from friends, though he was almost always able to promptly repay when a commission or concert came his way. During this time he wrote his last three symphonies and the last of the three Da Ponte operas, Cosi Fan Tutte, which premiered in 1790. During this time, Mozart ventured long distances from Vienna to Leipzig, Berlin, and Frankfurt, and other German cities hoping to revive his once great success and the family’s financial situation, but did neither. The two-year period of 1788-1789 was a low point for Mozart, experiencing in his own words "black thoughts" and deep depression. Historians believe he may have had some form of bipolar disorder, which might explain the periods of hysteria coupled with spells of hectic creativity.

Between 1790 and 1791, now in his mid-thirties, Wolfgang Amadeus Mozart went through a period of great music productivity and personal healing. Some of his most admired works -- the opera The Magic Flute, the final piano concerto in B-flat, the Clarinet Concerto in A major, and the unfinished Requiem to name a few -- were written during this time. Mozart was able to revive much of his public notoriety with repeated performances of his works. His financial situation began to improve as wealthy patrons in Hungary and Amsterdam pledged annuities in return for occasional compositions. From this turn of fortune, he was able to pay off many of his debts.

However, during this time both Wolfgang Amadeus Mozart’s mental and physical health was deteriorating. In September, 1791, he was in Prague for the premier of the opera La Clemenza di Tito, which he was commissioned to produce for the coronation of Leopold II as King of Bohemia. Mozart recovered briefly to conduct the Prague premier of The Magic Flute, but fell deeper into illness in November and was confined to bed. Constanze and her sister Sophie came to his side to help nurse him back to health, but Mozart was mentally preoccupied with finishing Requiem, and their efforts were in vain.

Death and Legacy

Wolfgang Amadeus Mozart died on December 5, 1791 at age 35. The cause of death is uncertain, due to the limits of postmortem diagnosis. Officially, the record lists the cause as severe miliary fever, referring to a skin rash that looks like millet seeds. Since then, many hypotheses have circulated regarding Mozart's death. Some have attributed it to rheumatic fever, a disease he suffered from repeatedly throughout his life. It was reported that his funeral drew few mourners and he was buried in a common grave. Both actions were the Viennese custom at the time, for only aristocrats and nobility enjoyed public mourning and were allowed to be buried in marked graves. However, his memorial services and concerts in Vienna and Prague were well attended. After his death, Constanze sold many of his unpublished manuscripts to undoubtedly pay off the family’s large debts. She was able to obtain a pension from the emperor and organized several profitable memorial concerts in Mozart’s honor. From these efforts, Constanze was able to gain some financial security for herself and allowing her to send her children to private schools.

Wolfgang Amadeus Mozart’s death came at a young age, even for the time period. Yet his meteoric rise to fame and accomplishment at a very early age is reminiscent of more contemporary musical artists whose star had burned out way too soon. At the time of his death, Mozart was considered one of the greatest composers of all time. His music presented a bold expression, often times complex and dissonant, and required high technical mastery from the musicians who performed it. His works remained secure and popular throughout the 19th century, as biographies about him were written and his music enjoyed constant performances and renditions by other musicians. His work influenced many composers that followed -- most notably Beethoven. Along with his friend Joseph Haydn, Mozart conceived and perfected the grand forms of symphony, opera, string ensemble, and concerto that marked the classical period. In particular, his operas display an uncanny psychological insight, unique to music at the time, and continue to exert a particular fascination for musicians and music lovers today.



2011 Audio tapes About the Founding of America and other interesting subjects - Audio Four

2011 Audio tapes About the Founding of America and other interesting subjects - Audio Five


 2011 Audio tapes About the Founding of America Audio and other interesting subjects 
such as the genocide and abuse of  the American Indians-talking with Ken Berchief- Audio Six


2011 Audio tapes About the Founding of America and other interesting subjects - talking with Tom Press
of www.LibertyRadio.com talking about his radio show called Inquisition Update - Audio Seven


 

2011 Audio tapes About the Founding of America and other interesting subjects - Audio Eight




2011 Audio tapes About the Founding of America and other interesting subjects - Audio Fourty-Three


2011 Audio tapes About the Founding of America and other interesting subjects - Audio Fourty-Four




2011 Audio tapes About the Founding of America and other interesting subjects - Audio Fourty-Five



2011 Audio tapes About the Founding of America and other interesting subjects - Audio Fourty-Six



2011 Audio tapes About the Founding of America and other interesting subjects - Audio Fourty- Seven







Exclusive Interview With Leo Zagami, Ex-Illuminatus, on Greg Szymanski's Radio Show

Part One

Part Two

Please listen to:

The Entities - A Song from The Film The Great American Novel

Stuck In Babylon - ASong from The Film The Great American Novel

The Great American Novel=The Theme Song From The Film The Great American Novel

,Arctic Beacon -
(Posted here: Sunday, January 07, 2007)

Please listen to:
Is the Illuminati's house of cards falling apart because of countries like Venezuela, Cuba and North Korea?
 Listen to Alex Jones interviewing Robert Gaylon Ross Sr., author of the famous "Who is Who of the Elite?"
 -
PrisonPlanetTv.com, Feb 06, 2006 -
(Posted here: Feb 13, 2006)

Jerry Pippin Interviews Mr. X
- Mr. X, shown in the photo with Jerry on the left, was very leery and worried about someone finding out his true identity as he arrived for the interview. We made some small talk and immediately started rolling tape. Over the years, I have found this was the best way to get the story. Do it fast, clean and simple with point blank questions. What I heard was stunning. -
JerryPippin.com -
(Posted here: Friday, May 26, 2006

Chemtrail Documentaries - Clouds of Death vs. Aerosol Crimes 
[Video Evidence]
- The "Clouds of Death" documentary is an excellent piece of information, which is a mandatory watch for everyone who wants to know the truth about chemtrails. Please don't just skim through this article without either downloading or watching this 23+ minutes video (scroll down to the end of this article to do so). People NEED to know what is going on, because it is negatively affecting us all and slowly killing us. THIS IS DONE BY OUR OWN GOVERNMENT IN A SILENT WARFARE AGAINST ITS OWN POPULATION! Wes Penre -
- WorldWithoutParasites.com -
(Posted here: Wednesday, January 03, 2007)

Vaccination - The Hidden Truth
[Video: 01:30:30]
- This is the shocking but extremely informative video documentary "Vaccination - The Hidden Truth" (1998) where fifteen people, including Dr. Viera Scheibner (a PhD researcher), five medical doctors, and other researchers, reveal what is really going on in relation to illness and vaccines. 
Ironically, the important facts come from the orthodox medicine's own peer-reviewed research. With so much government and medical promotion of vaccination for prevention of disease, the video is clearly devoted to presenting the other side of the issue that parents and others are not being told. -
- from vaccination.inoz.com, 1998 -
(Posted here: Saturday, September 08, 2007)

 

I AM AN ANIMAL - The Story of Ingrid Newkirk and PETA
- On the frontline on animal rights we have Ingrid Newkirk, founder and President of PETA (People for the Ethical Treatment of Animals). Just like Sheehan, she is a brilliant strategist, fearless and driven when comes to protecting and fighting cruel and unethical behavior towards animals. Despite, or rather thanks to, her controversial methods of exposing those cruelties, she gets a lot of Media attention. -
- by Wes Penre, Nov 25, 2007 -
(Posted here: Sunday, November 25, 2007)

Antidepressants and School Shootings, Suicide, Addiction
[00:07:57]
- A shocking Compilation of Video clips showing negative side effects of Antidepressants. Suicide, homicide even to the point of school shootings. Best Case scenario you only experience Withdrawal and Addiction. My solution has not been medications/drugs but a company called Truehope: www.truehope.com-
- YouTube -
(Posted here: Wednesday, December 19, 2007)

An Evening with Lloyd Pie
Lecture on human origins and the Starchild Skull

[02:08:15]
- Lloyd is also the caretaker of the famous Starchild skull, and has written a new book about his eight years of struggle to get it scientifically tested to establish beyond dispute the precise genetic heritage of both of its parents. So far, extensive testing indicates that its mother was a normal human but its father was, in all probability, something other than entirely human. - 
- LECTURE BY LLOYD PIE -
(Posted here: Monday, July 14, 2008)

The Illuminati, the Jesuit CESNUR and the Communists (1/20/2007)

 

Paolo Fogagnolo "Salamina, Prometeus"

16.8.1985: Permission from Lamparter to found OTOA Lodges.

3.9.1986: Initiation into the Athens 'Chevaliers du Christ' Martinist Lodge, by Tr. Kotzamanis "Hieronymus". (Nothing to do with the 'Hieronymus' in FUDOESI, Émile Dantienne).

20.3.1989: Under the motto of 'Sar Voluntas Divina', Fogagnolo was nominated as a 'Supérieur Inconnu' in Sar Hieronymus's Athenian Martinist Lodge.

4.5.1989: Admission to the 'Chevaliers du Christ'/'Loge des Chevaliers Verts' Martinist Lodge in Brussels. The resultant Charter was adorned with an O.T.O. Lamen, and signed by Armand Toussaint "Raymond
Panagion".

6.5.1989: Ramirez Cifuentes from Colombia appointed Fogagnolo (now calling himself 'Ar-Thon') as the representative for, and Grand Master of, the OTOA in Italy. Two undated documents from Viola made Ramirez
IX° and agent of the OTOA.

After this, Ramirez Cifuentes made Fogagnolo the Italian Patriarch of the Krumm-Heller Church [of which Ramirez Cifuentes was only a Deacon].

4.11.1990: Fogagnolo became national Italian Grand Master of the 'Orient Universel des Rites Traditionnels' through Kotzamanis, who was now also functioning as the Greek branch of Memphis-Misraim -
from which Fogagnolo received on the same day, the 33°, 90°, 95°, and the higher 90°, 95° 96° [!] and the 33°.

Ramirez Cifuentes then furnished Fogagnolo with the three lowest F.R.A. degrees, and made him a bishop by post. Fogagnolo appointed Ramirez to the 90° and 95° on 21.3.90.

18.1.1991: Fogagnolo became a bishop in the Church of Antioch, through the laying-on of hands by the aforementioned 'Hieronymus'. In the spring of 1991 Lamparter back-dated a Charter to June 26th 1989, and
made Fogagnolo 33°, 90°, 96° (from which Lamparter got the MM 90° and 95° degrees for himself in autumn 1991!).


Introvigne and the Lodge of Thebes featuring Paolo Fogagnolo "The True Face of Secret Societies: Inquest into the Mysterious Group of Thebes"


One of the strangest episodes in the history of Jesuit runned CESNUR involved Massimo Introvigne as
co-founder of the secretive "Lodge of Thebes", a very small group of political and magical extremists who
for a short period tried to unite the quarrelsome world of French occultists. Introvigne, while indirectly confirming the episode, later made it clear that his intentions were purely scholarly. One is left wondering why a "scholar" would be allowed into secret meetings primarily aimed at strategic planning; at the same time, one wonders how far "participant observation" by scholars can be stretched.
The translation is quite rough, and the article also contains a few minor mistakes which we shall point out in a later edition, but it in the meantime it is a useful document.


by Serge Faubert
from L'Evenement du Jeudi (4 November 1993), pp. 44-52
Abridged translation by Jeffrey Bale, published in Hitlist, March-April 2001, pp. 96-97.


Paris, a weekend last May. The few masons present in the locale of the Grand Orient de France (GOF) barely
paid attention to the 30 or so people who hurried, early in the morning, toward one of the meeting rooms.
The faces passing through the hall were not familiar to them, but then one cannot know all of the "brothers". In any case, the small group had presented an official authorization form to the custodian bearing the signature of a high-ranking member of the obedience. So why worry about it?
However, there were some who were worried. None of the visitors belonged to the Grande Orient. They were
non-masons [des profanes]. And what a group of outsiders! Several old veterans of the extreme right, a former Red Brigadist, a respectable Italian university professor closely linked, at the same time, to the Vatican and to French [Catholic] integralists, a leader of a non-governmental organization and activist concerned with children, a Belgian intellectual close to the national-Bolsheviks (the "red-brown" Russians), a sympathizer of Holocaust denier Professor [Robert] Faurisson…And yet the members of the Grande Orient had had a narrow escape.

The leader of an extreme right national-Bolshevik organization, out of consideration for the group, had
not come. In contrast to the preceding year in which, during the course of a meeting also held in the Grande
Orient, he had made a brilliant presentation on…sexual magic.

Yes, this very mixed and select group occupied itself with magic as well. It was its very reason for existence. Its name? The Group of Thebes…[in this context Thebes is a reference to] the capital of the empire of the [ancient Egyptian] Pharaohs… who, to believers in the esoteric tradition, held the secrets of the universe…

A secret society besides, it is said. But the Group of Thebes is not a school of mystery like the others. The originality of this organization is that it gathers together the leaders of occultist groups or personages
recognized in the small world of the initiates. A college of chiefs of some sort, whose existence is even more secret than that of the societies they direct…

The linchpin of the group is Rémi Boyer…[An employee of a Swiss non-governmental organization in his thirties who was obsessed with occultism from an early age,] Boyer decided to work toward federating the
small world of esotericism… After holding a couple of meetings and attempting to organize a federation of esoteric grouplets, including New Age cults and chivalric orders, under the rubric Arc-en-ciel
[Rainbow], he changed his approach and tried to organize] "another type of structure which, this time, brought together individuals. He worked on this with one of his close associates, Jean-Pierre Giudicelli,
the second pillar of the Group of Thebes.

Giudicelli had authority in esoteric circles…He headed the French section of Myriam, a Luciferian obedience whose teachings made an appeal to the sexual impulses of its adepts…This Corsican was well over forty, a
sympthizer of the pro-independence FLNC [Front de Liberation National Corse], and also still a fascist: a former member of Ordre Nouveau, he took part in the neo-fascist group Troisieme Voie until the end the
1980s, and was conspicuous among the assistants [assesseurs] of the Front National in Nice after the legislative elections of 1986…[This is in contrast to the politics of Boyer, who is an active supporter of liberal human rights organizations. Boyer defended his collaboration with Giudicelli by insisting that] "that which brings us together is more important than that which divides us"… In short, magic is above politics.

[The three objectives of the Group of Thebes, as set down by Boyer and Giudicelli, were to] "preserve the
authentic traditional paths", "verify the effectiveness of initiatic techniques", [and] "intervene in the esoteric scene"
…it was a matter of warding off the fanatics of every shade and other disciples in search of gurus. The Group of Thebes wanted to be a club of serious people anchored in
tradition and orthodoxy. The Khmer Rouge of alchemy.

In order to work in peace, the most absolute secrecy had to be observed: "the group will not function according to the work modalities typical of the profane world (no declared statutes, no bank account
opened in its name, no direct interventions)…" During the process, a second structure was created: the Circle of Alexandria. An antechamber of the Group of Thebes, it was intended to welcome the pretenders and
the guests. However, "the Circle of Alexandria's associate members and guests were unaware of the name Group of Thebes."

On 3 June 1990, in Paris, the foundation meeting [of the Group of Thebes] was held. Fifteen or so participants attended this first conclave. Among them, a heavyweight: the Italian Massimo Introvigne. This
Turinese university professor is the author of a book on magical movements…and director of the Center for the Study of New Religions (CESNUR), an observation post presided over by the Archbishop of Foggia,
Monsignor [Giuseppe] Casale. In effect Introvigne is one of the principal leaders of Alleanza Cattolica, a traditionalist community which, while it has remained very close to the Vatican, has long maintained
friendly relations with Monsignor Lefebvre.

[Among the respectable participants] were Gerard Kloppel, international grand master of illuminati's Memphis Misraim lodge, a masonic obedience that claims 7000 members - 1000 in France - who arrived with his
wife. The Templars of Circe sent their number two man, Jean-Marie Vergerio. This would be his only appearance, since upon further reflection the Circe Templars preferred to pursue their path separately.
With one exception: the chancellor in Greece of the Templar obedience Triantaphyllos, Kotzamanis.

But alongside these honorable erudites or initiates, several less recommendable persons appeared. Like Georges Magne de Cressac - one of the loyalists of Giudicelli, the co-founder of the Group of Thebes -
who had participated in the organization of a Robert Faurrison meeting in Limoges on 10 September 1987. Or the Belgian Jean-Marie D'Asembourg. One turns up his name in the patronage committee of the Russian
politico-esoteric journal Milii Angel. Who is the editor and patron of this journal? Alexander Dugin, the number two man in the Russian National-Bolshevik Front.

However, these two rascals [lascars] are only retired pensioners on half pay [demi-soldes] compared to the most controversial figure of the Group of Thebes, Christian Bouchet. A former leader of the Comités
d'Action Republicaines - a satellite organization of the RPR - this Nantes native rejoined Alain de Benoist's GRECE at the beginning of the 1980s, then the extreme right group Troisième Voie, headed by
Jean-Gilles Malliarakis. A formation which, in spite of its small number of adherents, was always distinguished by its activism and by a discourse which was both anti-American and anti-Soviet. In July 1991,
the organization broke apart. Bouchet quit Troisième Voie and brought a group of militants along with him.

Several weeks later he founded Nouvelle Resistance (NR), a national-Bolshevik organization. His principal adversary: the United States, the incarnation of the capitalist system, which he accused of destroying the
identity of peoples. All those who resisted American power and industrial society could thus become potential allies. A profession of faith which has led NR, in addition to its ongoing campaigns against
Euro-Disney and McDonald's, to infiltrate [groups of] young ecologists (see Les Événements du Jeudi #428) and the Committee for Lifting the Embargo Against Iraq (see ibid #463). On the international level, the
organization is linked to the Russian National-Bolshevik Front - Bouchet has personally gone to Moscow several times - but also to a myriad of small European "red-brown" groups who have joined
together in the European Liberation Front.

How did Bouchet find himself integrated into the Group of Thebes? Quite simply, this history student is one  of the most knowledgeable experts on, and biographers of, Aleister Crowley, one of the Popes of esotericism.
It is to [Crowley] that he devoted his master's thesis, which has since been published. An exegete of Crowley, Bouchet is likewise his disciple. He is a member of the Ordo Templi Orientis (OTO), the
obedience founded by the English magician. A group which, by its own admission, has never exceeded fifteen members in France.

Giudicelli, Georges Magne de Cressac, Jean-Marie d'Asembourg, Christian Bouchet…[Perhaps someone will now become alarmed enough to protest.] Professor Massimo Introvigne, for example. But no, the
theologian isn't troubled. "One is aware of  encountering extremists in that milieu," he explains.
"Esotericism demands an absolute commitment, something which is rarely made by politically lukewarm people. Besides, you know," continues the scholar, "I am above all a researcher. For me the Group of Thebes is a
marvellous terrain for study." [As for Gerard Kloppel, he is] delighted to count "high-ranking policemen" among the leaders of Memphis Misraim. Certain sources inside the Group of Thebes likewise took account of
the presence of a DST [the French equivalent of the FBI] official among the leaders of Memphis Misraim. Without, however, being able to determine if he was or was not on an infiltration mission…

It is therefore not surprising that as the months passed other political fanatics joined the Group of Thebes. Thierry Roche, for example, president in 1988 of the Kemit association, a satellite of GRECE. Or
even PAOLO FOGNALO, a former member of the Milanese column of the Red Brigades. After he was incarcerated, the Sefira - the equivalent of the Virgin in the esoteric tradition - appeared before him. It's also
true that during this period the revolutionary was observing a prolonged hunger strike…Today the animator of Radio Popolare, the station of the Milanese branch of Rifondazione Comunista, Fogagnolo heads 
the Fraternita Rosa Croce Dorei ed Antica and its profane branch, the political-philosophical group Prometheus
with Ing.CELESTINO ANTONIO ZUCCOTTI, Sovrano Gran Ispett.Gen R:.S:.A:.A:: G:.Ierofante Mass.Egyptien
deMenphis e M.'. G:.Maest. della G:.L:.PREALPINA Rito.Simbolico.Its purposes: "…to sensitize the masses to the fact that revolutionary communism should be wedded to spiritual sacredness, like Christianity at its origins…to practice alchemy in its diverse aspects…to make a revolution." A vast program.

For its part, the Group of Thebes wishes to be more traditionalist. There one is above all in favor of magic. The "operating groups", i.e., the workshops, multiply. On the menu, "Incantations and Words of
Power", "Spiritual Hierarchies", "Angels and Demons", "Magic Wands", "The Dangers of Practical Magic"…Another satellite organization is created: the Centre International de Recherches et d'Etudes
Martinistes (CIREM), charged with diffusing those communications of the group that are accessible to the profane. Its journal, L'Esprit des Choses, nevertheless contains some surprises. In issue #4-5,
dated Spring 1993, one can find an article entitled "Pensées sur le Christ et le christianisme" which is written by Sri Chinmoy, a guru who flatters himself, among other things, for having written 843 poems in 24
hours, painted 140,000 pictures since birth, and composed 6000 musical pieces…

One also finds the extreme right leader [Bouchet, who appeared at a 1992 CESNUR conference in Paris] at the head of an internal commission called Tradition et Politis. Its object: to study the "different models of
society which have been proposed by initiatory societies since Antiquity." A workshop whose sessions must have been very animated, since the second coordinator of the group was 
none other than Paolo Fogagnolo, the former Red Brigadist.

Paris en Printemps

"At the end of the 1970's, a certain Bernard Fréon-Montenay created in Paris the Ordo Argenteum Astrum, the QBLH group, the Fraternité Hermetique du Dragon Lunaire, as well as an OTO Lodge. At first he
tried to get recognition out of the Caliphate OTO, and then had pretensions to a link with the OTO Antiqua [in 1983]. Later it seems that this group became the Ordre des Anges de l'Apocalypse.' [9]

To this William W. Webb, head of the QBL Alchemist Church, and his own Argenteum Astrum stated: "In regard Bernard Fréon. In 1980 he wrote me... then I did not hear from him until 1988... he had gone out of
his mind... (he was Nuts)." [10] In any case, Motta had named Fréon in his roll of dishonour. [11]

Fogagnolo in Italy kept up a relationship with the French Order-enthusiast and collector Christian Bouchet, a member of the French section of the 'Caliphate'. Bouchet had received an MM Charter from
Lamparter on June 24th 1991, which was apparently intended to "Fuck the Caliphate" in copyright matters. Consequently Bouchet now proclaimed the National French Grand Lodge of the Krumm-Hellerian O.T.O.,
disregarding the fact that his Charter from Lamparter was wholly inadequate for this purpose, as it conferred no O.T.O. titles.

As Lamparter had first got hold of the Memphis-Misraim degrees in the autumn of 1991, the MM degrees Bouchet provided him with were null and void. Bouchet also seems to have been mixed up in the murky world of
neo-fascism; on October 1st 1991 he was expelled from the far-right 'Troisième Voie' ['Third Way'] political movement by Jean-Gilles Malliarakis. [12] 
Afterwards nhe founded the 'Nouvelles Résistances' political organisation in Nantes. [13]

Bouchet's friend Remi Boyer (allegedly an adviser to the French Ministry of Justice) [14] founded a group
called the 'Cercle d'Alexandrie', which dedicated itself not [for once] to ritual practices, but to  theoretical studies, such as forming a collection. It is not entirely clear whether this organisation was identical with a so-called 'Thebe Group', although the same members appear in both.

Among the motley crew who made up this circle, there could be found not only 'serious' researchers, like Serge Caillet (of Memphis-Misraim) or Robert Amadou (priest in the Église Syrienne, and a frequent guest
of the weightier Freemasons in Zurich), but also such illustrious personages as the elixir of life merchant Jean-Pierre Giudicelli de Cressac Bachelerie (of Memphis-Misraim in Nice), [15] or Jean-Pascal Ruggiu (of the 'Golden Dawn' in Paris!), [16] and so forth.
At one stage, Boyer apparently tried to obtain an F.R.A. Charter.

In the autumn of 1991 Fogagnolo severed his links with the Frenchmen, since as a radical left-winger he found
these gentlemen to be "fascistoid". Fogagnolo's 'Agape-Prometeo' group was involved in the "revolutionary political fight for Spiritual communism." Even so the Buddhist Master Namkhai Norbu, who was recognised by the Dalai Lama, frequented Fogagnolo's group connected to Grand Master Celestino Antonio Zuccotti a personal friend of the Dalai Lama.

I visited Brother Celestino not so long ago because I use to like his critical view over Freemasonry and I still do but Grand Master Celestino his still too much into the western illuminati powerstructure to completely give up and become a true Master.

Leo Lyon Zagami





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2011 Audio tapes About the Founding of America and other interesting subjects - Audio Sixty - Six

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2011 Audio tapes About the Founding of America and other interesting subjects - Audio Sixty - Eight

2011 Audio tapes About the Founding of America and other interesting subjects - Audio Sixty - Nine
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2011 Audio tapes About the Founding of America and other interesting subjects - Audio Seventy - Six
2011 Audio tapes About the Founding of America and other interesting subjects - Audio Seventy - Six

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2011 Audio tapes About the Founding of America and other interesting subjects - Audio Seventy - Eight
2011 Audio tapes About the Founding of America and other interesting subjects - Audio Seventy - Eight

2011 Audio tapes About the Founding of America and other interesting subjects - Audio Seventy - Nine
2011 Audio tapes About the Founding of America and other interesting subjects - Audio Seventy - Nine



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